Biff Baker, U.S.A. is an American crime drama television series that aired on CBS from November 6, 1952, to March 26, 1953 starring Alan Hale, Jr. as Cold War spy Biff Baker.

While evaluating her for his $100,000 grant, Thomas Stevens, a multimillionaire falls for the pastry chef that he believes stole his mother's bakery.

A rebellious teen attempts to rob a bakery. When the baker catches him, he gives him a second chance instead of turning him in to the police.

13 位烘焙师展开竞争，力求打造出下一个风靡网络的烘焙爆款，赢得金色擀面杖并拿走现金大奖。

Concerned that the economy could collapse? Or that a natural disaster could wipe out our infrastructure? So is Frank, and he is doing something about it! Believing that America has become too reliant on a crumbling foundation, Frank is preparing his family for life "off the grid," admiring the way people lived in the 19th century. Like them, he longs to become completely independent. So he is embarking on one project at a time hoping to prepare his family for the worst, such as building a car that runs on wood in case gasoline supplies are interrupted, becoming expert hunters when grocery stores are no longer in existence, and making his own alcohol for barter when the dollar collapses. Frank does it all with determination, intelligence, and good humor. He'll need all that and more, as he attempts to motivate a family that neither shares his fervor nor wishes to sacrifice the comforts and conveniences of 21st century life. In the series premiere- "A Hunting We Will Go"- we meet the ...

Investigates the reasons North Carolina, long seen as the most progressive state in the South, became home to the largest Klan organization in the country, with more members than all the other Southern states combined, during the 1960s.

Palmerstown, U.S.A. is a drama series. It centers on the lives of two 9-year-old best friends, one black and one white, growing up in a small Southern town during the 1930s.

A street-gang leader challenges a handsome young skater in a championship contest at the local roller-disco rink.

In this quirky romantic comedy inspired by a true story, an influx of women invade the small town of Herman, Minn., to get their hands on a surplus of bachelors yearning for female companionship. When the persuasive "cry from the heart" of Herman's lonely men becomes a big-time news story, it unwittingly attracts a swarm of single women from 38 states and four different foreign countries, adding 1,500 residents to the tiny hamlet of 485.

The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.